Remodeled Farmhouses — Text and Context

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In Category - Architecture
Northend, Mary Harrod, 1850-1926 Project Gutenberg 2010
Interior decoration; Architecture, Domestic -- United States; Decoration and ornament, Rustic -- United States; Farmhouses -- United States Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 57,078
Reading time: 249 min
Text sections: 13
An examination of how Mary H. Northend's 1915 survey of remodeled farmhouses balances catalog subjects like interior decoration and rustic ornament with actual descriptions of architectural decisions, garden layouts, and owner interventions.
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Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

Edition quality

Mary H. Northend's Remodeled Farmhouses (1915) presents twenty-two case studies of rural houses transformed for modern use. The catalog subjects—interior decoration, domestic architecture, rustic decoration, and farmhouses—suggest a broad survey, but the excerpts reveal a narrower focus: the process of remodeling itself, with particular attention to exterior changes, garden integration, and the role of the owner. The book's preface frames it as a practical resource for students, yet the detailed account of Charles Martin Loeffler's house shows an owner-architect taking charge after a professional deemed the project impossible.

Owner as Architect

The excerpt on the Charles Martin Loeffler house is the most detailed in the available text. It describes how Loeffler, after an architect concluded the cottage could not be remodeled, drew his own plans and directed the workmen. This episode contradicts the catalog subject of professional interior decoration, instead emphasizing personal initiative. Northend notes that Loeffler insisted on a single architectural idea, avoiding a "composite mass of details." The passage also records specific additions: a front porch with settles, a rear veranda used as an outdoor living room, and a balcony for sleeping. These details ground the remodeling in practical, owner-driven decisions rather than abstract design principles.

Garden as Extension of House

Northend devotes considerable space to the garden at the Loeffler house, describing it as an eighth of an acre filled with old-fashioned flowers to harmonize with the house's period. A rustic pergola with a grapevine, a single path dividing the garden, and color schemes studied carefully are all mentioned. The surrounding fields are described as reclaimed, with meadows where bobolinks and red-winged blackbirds appear. This attention to landscape aligns with the catalog subject of rustic decoration, but the excerpts show that Northend treats the garden not as ornament but as an integral part of the remodeling—a space that extends the living area and must be coordinated with the house's architecture.

Limits of the Excerpts

The available excerpts cover only the preface, table of contents, and a portion of one chapter (the Loeffler house). The catalog subjects list interior decoration and domestic architecture, but the excerpts contain no descriptions of interior furnishings, floor plans, or decorative schemes. The word "interior" appears only in the preface's phrase "low, raftered interior." The table of contents names twenty-two houses, but only one is detailed in the excerpts. Therefore, any claim about the book's overall content must be cautious: the catalog subjects may accurately describe other chapters, but the evidence shows a stronger emphasis on exterior remodeling and garden design than the subjects suggest.

Readers approaching Remodeled Farmhouses should note that the catalog subjects may not fully reflect the book's emphasis. The excerpts suggest a work more concerned with the process of transformation—owner involvement, garden planning, and architectural coherence—than with interior decoration per se. The detailed account of the Loeffler house offers a concrete example of how Northend blended practical advice with descriptive narrative, but the rest of the book may vary. A complete reading would clarify how representative this chapter is of the whole.

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